Joanne Masding

+44 (0) 7816 124 254
joanne@joannemasding.com
Lives and works in Birmingham, UK


Solo exhibitions and projects
2018

Permanent commission, Cornerblock, Birmingham
2017
Plaster Ghost Finger Cast, The New Art Gallery Walsall
2016
Artist in residence, University of Birmingham, Birmingham
stuffs wander off, a shape steps in, Two Queens, Leicester
2015
Shiny Surface Amnesty, Air Space Gallery, Stoke-on-Trent (residency and exhibition)
Feature gif, Digital Artist Residency (online artist residency)
2014
Echo, South Wales Echo for Cardiff Contemporary (curated by Sean Edwards)
Symbol for a Light, Longbridge Light Festival, Longbridge (commission for LED video screen. Curated by General Public)
2013
Lacquer Moving Lightly, Embassy Gallery, Edinburgh, Scotland
Joanne Masding, 501 Artspace, Chongqing, China (residency and exhibition)
The Heterotic I, Temple Bar Gallery + Studios, Dublin, Ireland (residency)
Standpoint Futures, Standpoint, London (residency)
2012
Horn, Vinyl, Birmingham
Joanne Masding, Meantime, Cheltenham (residency)
2010
Involution, Tether, Nottingham (Sideshow 2010 commission with Sarah Farmer)


Selected group exhibitions and projects
2017

In the Peaceful Dome, Bluecoat, Liverpool
Touche, Éclat, Workplace, Gateshead (Nina Chua, Daniel Davies, Joanne Masding, Yonatan Vinitsky)
Like the green fig tree, Workplace, Gateshead (Matt Antoniak, Hazel Brill, James Hindle, Harry Hurlock, Joanne Masding, Joe Shaw)
2016
Image Music Text, IMT, London (Andrew Gillespie, Andrew Lacon, Joanne Masding. Curated by Division of Labour)
After, Division of Labour, London
Gone Fishing, Assembly House, Leeds (group exhibition with School of the Damned)
SNAKE HORSE GOAT MONKEY, Guest Projects, London (group exhibition with School of the Damned)
2015
The Place of The Scene, Bloc Projects, Sheffield (Rowena Harris, Fay Nicolson, Joanne Masding, Francesco Pedraglio)
Wish You Were Here, mac, Birmingham, Berwick-upon-Tweed Museum and Art Gallery, Northumberland, Hestercombe Gallery, Somerset
Birmingham Show, Eastside Projects, Birmingham (curated by Gavin Wade and Ruth Claxton)
2014
End, Federation House, Manchester (curated by Joe Fletcher Orr)
Kill Your TV, Worcester Museum (curated by Stuart Layton)
2013
Objectness, Outpost, Norwich (curated by Peles Empire)
At a Distance, Birmingham Museum and Art Gallery, Birmingham
Congratulations you are the most recent visitor, Kettle’s Yard, Cambridge (curated by Outpost)
While it Lasts, a show reel, MK Gallery, Milton Keynes and Eastside Projects, Birmingham (curated by Elinor Morgan)
Warm Breeze Over Rock, The Royal Standard, Liverpool (with Flore Nove-Josserand)
Winter Art Fair, Ikon Gallery, Birmingham (curated by The Lombard Method)
Strabismus, Exhibition as Cinema, The Lombard Method, Birmingham and Mexico, Leeds (curated by The Lombard Method)
2012
The Possibility of an Island, Grand Union, Birmingham (curated by Tim Dixon)
Group Occupation, The New Art Gallery Walsall, Walsall (residency)
Open File: Temporary Sites (a proposal), MK Gallery, Milton Keynes (curated by Jack Brindley and Tim Dixon)
This is the Point, BIAD School of Art, Birmingham and Trade, Nottingham (curated by Katy Woods)
Rotate: Eastside Projects and Grand Union, The Contemporary Art Society, London (curated by Ruth Claxton and Cheryl Jones)
2011
Curfew Tower, Cushendall, Northern Ireland (residency)
2010
Gene-George Earl, Joanne Masding, Ultra High Temperature, Eastside Projects, Birmingham (curated by Gavin Wade)
Meanwhile in Birmingham…, Rogue Project Space, Manchester (curated by Magnus Quaife)
2008
Practical Propogation, Vrits, Basel, Switzerland (residency and exhibition)
2006
Room X, KIASMA, Helsinki, Finland (collaborative residency and exhibition)


Publications
2013

Four Bronze Horses, Embassy Gallery, Edinburgh, written by Elinor Morgan
On the Radar Volume 1, Article Press, written by Elinor Morgan


Awards and grants
2016

John Feeney Charitable Trust, Feeney Fellow 2016-17
A-N the artist’s newsletter, professional development bursary
2014
De ateliers residency programme (shortlisted)
2013
Arts Council England, individual grants for the arts
A-N the artist’s newsletter, Venice Biennale research bursary
Jerwood/Film and Video Umbrella new moving image award (shortlisted)
2012
Arts Council England, organisation grants for the arts (for The Lombard Method)
2011
Curfew Tower best work of art 2011 (voted for by visitors to Curfew Tower, Heart of the Glens Festival)


Selected other activities
2017

Traverse, Aarhus, Denmark and New Art West Midlands (research project with Mette Boel)
2016
ESP Programmer, Eastside Projects, Birmingham (programmer of associate artist development programme)
School of the Damned, class of 2017 (self-led alternative education model)
Speaker, Practicing self-organisation, Eastside Projects, Birmingham
RE:Present, cultural leadership programme (selected participant)
2015
Katharina Ludwig in residence at Grand Union, Birmingham (curated project, with Grand Union)
Guest editor, Press Room, Venice Biennale
2014
Testing Ground Masterclass, Zabludowicz Collection, London
Waving Not Drowning, BIAD, Birmingham (speaker and panel member, organised by Turning Point West Midlands)
2013
Winter Art Fair, Ikon Gallery, Birmingham (curated project)
Artist talk, Plymouth Arts Centre, Plymouth
Future Now Symposium, Manchester Metropolitan University, Manchester (speaker and group discussion facilitator)
The Lombard Method 2013-14 programme (curated project with Adam Smythe)
Object as Process #1, Parasol Unit, London (screening and in conversation with curator and writer Harry Burke)
Strabismus, Exhibition as Cinema, The Lombard Method, Birmingham and Mexico, Leeds (curated project, with Adam Smythe)
A Small Hiccup, Grand Union, Birmingham, Newbridge Project, Newcastle and Limoncello, London (contribution to publication, curated by George Vasey)
2012
Castling, exhibition for Glasgow International 2012 (curated project with Eastside Projects)
Speaker, Turning Point West Midlands Visual Art Forum
2010
Artists Access to Art Schools, selected participant
Visiting artist, Birmingham City University
Artist talk, Eastside Projects, Birmingham
2009
Founder, co-director and co-curator, The Lombard Method, Birmingham


Bibliography
2017

Art Monthly, June 2016, Issue 407, Plaster Ghost Finger Cast in Midlands roundup
2015
The Guardian, The Place of the Scene in This week’s new exhibitions
a-n, The Place of the Scene in The Week’s Top Exhibitions
Birmingham Mail, 21 Leading Young Artists
Curating the Contemporary, Tom Milnes speaks to Jason Brogan and Joanne Masding
The Bad Vibes Club, Joanne Masding on gifs
2013
Corridor 8, Review of The Manchester Contemporary Art Fair
Buy Art Fair, video of The Manchester Contemporary Art Fair


Collections
Private collections in UK
Artist postcard collection (British Museum acquisition)


Education
2007 Manchester Metropolitan University, Manchester




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© 2017 Joanne Masding